POSTED ON
August 22, 2011
Les Grands Succes des Editions Samay,
Sonafric 1976
Once more I am presenting you an album by a group I can’t
tell you anything useful about. There is a certain link with
the music of Angola but I do not know which. Names like
Clotaire, Kimbolo, Samba Mascott, Claude Bivoua,
Saboukoulou or Pie Aubus, they don’t ring
a bell. Enjoy listening..
tracks;
1 Anaba samy na Cathy No 3
2 Telema Angola
3 Annita
4 Nzambe botisa ngai
5 Madja
6 Loposo
7 Mwana Angola
8 Yaka kwa diyokele
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Moos,
I’m one of those who seldom leaves a comment, but you deserve plenty of positive reinforcement. Your blog has broadened my knowledge of African music (and other music) and enriched my life more than words can express.
Thank you for all the effort you put into this project. It is greatly appreciated by many people.
Moos,
I’m one of those who seldom leaves a comment, but you deserve plenty of positive reinforcement. Your blog has broadened my knowledge of African music (and other music) and enriched my life more than words can express.
Thank you for all the effort you put into this project. It is greatly appreciated by many people.
Moos, you are the grooviest Afrokat in the interwebs and etherspaces! You bring to light long lost songs and set hearts ablaze with your beautiful sounds! Merci! Merci!
Moos, you are the grooviest Afrokat in the interwebs and etherspaces! You bring to light long lost songs and set hearts ablaze with your beautiful sounds! Merci! Merci!
i want to thank-you for the selections you post. i’ve been coming here daily for some time and your blog has become an indispensable part of my life. thank-you for enriching it.
i want to thank-you for the selections you post. i’ve been coming here daily for some time and your blog has become an indispensable part of my life. thank-you for enriching it.
Thank you for sharing. Apurva from Pune, India.
Thank you for sharing. Apurva from Pune, India.
Telema Angola” is written and sung, concomitantly, in Lingala and Portuguese by the brilliant journalist and musician of the Congo to the right bank, Claude Bivoua, whose real name is Andre Claude Bimbakila.
This composition galvanized the unconditional support extended by the Government of the valiant commander Marien Ngouabi the process of long-awaited liberation of the “Colony of the Minotaur.” This is the great song that was also accompanied, for months, independence and the release of “Land of Queen Nzinga,” in Brazzaville, which was first cited the main base of the movement of the President poet.
This air stimulated the guerrillas encamped at Dolisie and Kimongo, activists, supporters, the pioneers of EME and community members Angolan refugees in the Congo progressive, who continued to return to the Motherland. This enthusiasm, too, hundreds of thousands of Angolans installed on the other margins of Stanley Pool, who wanted, almost openly, the triumph of the combination of the plebeians for the “New Nation” is not contaminated by the corrupting gangrene, suicidal self, the “Leopard”.
Telema Angola! “(Standing Angola!) Enjoyed a wide circulation of the persistent voice of the Congolese revolution, because its creator was on duty at that station, the powerful legacy of Radio Free France, installed during the occupation of the Hexagon during the second major world conflict and on shortwave. And, of course, the farm clamor of Bivoua reached the country of Agostinho Neto
In his text, the journalist – called the music to be born and Angola, and immediately after, to get up immediately, and walk with courage and selflessness. It was, obviously referring to the serious military situation in which there was much of the territory occupied by the troops “Afrikaner” and those of the cat.
Telema Angola” is written and sung, concomitantly, in Lingala and Portuguese by the brilliant journalist and musician of the Congo to the right bank, Claude Bivoua, whose real name is Andre Claude Bimbakila.
This composition galvanized the unconditional support extended by the Government of the valiant commander Marien Ngouabi the process of long-awaited liberation of the “Colony of the Minotaur.” This is the great song that was also accompanied, for months, independence and the release of “Land of Queen Nzinga,” in Brazzaville, which was first cited the main base of the movement of the President poet.
This air stimulated the guerrillas encamped at Dolisie and Kimongo, activists, supporters, the pioneers of EME and community members Angolan refugees in the Congo progressive, who continued to return to the Motherland. This enthusiasm, too, hundreds of thousands of Angolans installed on the other margins of Stanley Pool, who wanted, almost openly, the triumph of the combination of the plebeians for the “New Nation” is not contaminated by the corrupting gangrene, suicidal self, the “Leopard”.
Telema Angola! “(Standing Angola!) Enjoyed a wide circulation of the persistent voice of the Congolese revolution, because its creator was on duty at that station, the powerful legacy of Radio Free France, installed during the occupation of the Hexagon during the second major world conflict and on shortwave. And, of course, the farm clamor of Bivoua reached the country of Agostinho Neto
In his text, the journalist – called the music to be born and Angola, and immediately after, to get up immediately, and walk with courage and selflessness. It was, obviously referring to the serious military situation in which there was much of the territory occupied by the troops “Afrikaner” and those of the cat.
Telema Angola” is written and sung, concomitantly, in Lingala and Portuguese by the brilliant journalist and musician of the Congo to the right bank, Claude Bivoua, whose real name is Andre Claude Bimbakila.
This composition galvanized the unconditional support extended by the Government of the valiant commander Marien Ngouabi the process of long-awaited liberation of the “Colony of the Minotaur.” This is the great song that was also accompanied, for months, independence and the release of “Land of Queen Nzinga,” in Brazzaville, which was first cited the main base of the movement of the President poet.
This air stimulated the guerrillas encamped at Dolisie and Kimongo, activists, supporters, the pioneers of EME and community members Angolan refugees in the Congo progressive, who continued to return to the Motherland. This enthusiasm, too, hundreds of thousands of Angolans installed on the other margins of Stanley Pool, who wanted, almost openly, the triumph of the combination of the plebeians for the “New Nation” is not contaminated by the corrupting gangrene, suicidal self, the “Leopard”.
Telema Angola! “(Standing Angola!) Enjoyed a wide circulation of the persistent voice of the Congolese revolution, because its creator was on duty at that station, the powerful legacy of Radio Free France, installed during the occupation of the Hexagon during the second major world conflict and on shortwave. And, of course, the farm clamor of Bivoua reached the country of Agostinho Neto
In his text, the journalist – called the music to be born and Angola, and immediately after, to get up immediately, and walk with courage and selflessness. It was, obviously referring to the serious military situation in which there was much of the territory occupied by the troops “Afrikaner” and those of the cat.
The singer takes a chorus, with unwavering faith and prophetic prediction of the indestructible Popular Movement for the Liberation of Angola (MPLA), “A Vitoria e Certa”. The musician – Mfwa activist, like millions of progressives around the world, was fully aware that the liberation of Angola, was inevitable and announced, that, from all over southern Africa, the last bastion of oppression the “Niger (black)Telema Angola” was the main element of the historic meeting facilitator organizes, November 10, 1975, stressful day, par excellence, the Government of Congo People, to the place of the Sports Centre Makelekele, a few meters from the seat of MPLA. And a thousand people, Congolese and foreign, was waiting there for hours, the proclamation, at midnight, in Luanda, though besieged, the painful independence of Angola, by Dr. Antonio Agostinho Neto. This enormous mass chanted in unisons the appropriate composition Bimbakila. Months after November 11 this song will continue to accompany the epic of the reconquest of territory by FAPLA unstoppable. It should be noted that by “Telema Angola,” continued Claude Bivoua the great work of his musical partner, the very late Boukaka Franklin, who sang in his famous play “The Immortals”, José Mendes de Carvalho, the bold commander Angola Hoji Ha Henda, a gallery of heroes of the Third World, alongside the Moroccan Mehdi Ben Barka, the father and Colombian Camilo Cienfuegos Vietnam Nguyen Van Troy. Also, legend holds that the last record music created by the author of “Loggers” was with the help of Bivoua
The singer takes a chorus, with unwavering faith and prophetic prediction of the indestructible Popular Movement for the Liberation of Angola (MPLA), “A Vitoria e Certa”. The musician – Mfwa activist, like millions of progressives around the world, was fully aware that the liberation of Angola, was inevitable and announced, that, from all over southern Africa, the last bastion of oppression the “Niger (black)Telema Angola” was the main element of the historic meeting facilitator organizes, November 10, 1975, stressful day, par excellence, the Government of Congo People, to the place of the Sports Centre Makelekele, a few meters from the seat of MPLA. And a thousand people, Congolese and foreign, was waiting there for hours, the proclamation, at midnight, in Luanda, though besieged, the painful independence of Angola, by Dr. Antonio Agostinho Neto. This enormous mass chanted in unisons the appropriate composition Bimbakila. Months after November 11 this song will continue to accompany the epic of the reconquest of territory by FAPLA unstoppable. It should be noted that by “Telema Angola,” continued Claude Bivoua the great work of his musical partner, the very late Boukaka Franklin, who sang in his famous play “The Immortals”, José Mendes de Carvalho, the bold commander Angola Hoji Ha Henda, a gallery of heroes of the Third World, alongside the Moroccan Mehdi Ben Barka, the father and Colombian Camilo Cienfuegos Vietnam Nguyen Van Troy. Also, legend holds that the last record music created by the author of “Loggers” was with the help of Bivoua
The singer takes a chorus, with unwavering faith and prophetic prediction of the indestructible Popular Movement for the Liberation of Angola (MPLA), “A Vitoria e Certa”. The musician – Mfwa activist, like millions of progressives around the world, was fully aware that the liberation of Angola, was inevitable and announced, that, from all over southern Africa, the last bastion of oppression the “Niger (black)Telema Angola” was the main element of the historic meeting facilitator organizes, November 10, 1975, stressful day, par excellence, the Government of Congo People, to the place of the Sports Centre Makelekele, a few meters from the seat of MPLA. And a thousand people, Congolese and foreign, was waiting there for hours, the proclamation, at midnight, in Luanda, though besieged, the painful independence of Angola, by Dr. Antonio Agostinho Neto. This enormous mass chanted in unisons the appropriate composition Bimbakila. Months after November 11 this song will continue to accompany the epic of the reconquest of territory by FAPLA unstoppable. It should be noted that by “Telema Angola,” continued Claude Bivoua the great work of his musical partner, the very late Boukaka Franklin, who sang in his famous play “The Immortals”, José Mendes de Carvalho, the bold commander Angola Hoji Ha Henda, a gallery of heroes of the Third World, alongside the Moroccan Mehdi Ben Barka, the father and Colombian Camilo Cienfuegos Vietnam Nguyen Van Troy. Also, legend holds that the last record music created by the author of “Loggers” was with the help of Bivoua
Having left the “Hill Inspired”, the journalist will continue to satisfy his passion for music with humility and dignity, supporting groups such as “Angels”, which had replicated the “Ngola Ritmos” in the movie “Sambizanga” Sarah Maldoror. In an almost coincides with the history of Angola, the musician died in Brazzaville 10 November 2006. Just fate, the Congolese government will recognize, correctly, his professional, artistic, activist and internationalist. Buried in his village, near the Congolese capital, Claude Bivoua deserves the recognition of the angolan state. Copyright © 2009 Le Potentiel.
your post Moos is a mark of tribute to the artist , for the memory of his action in the independence , thx Moos for all your action in that blog for the musical history …..
Having left the “Hill Inspired”, the journalist will continue to satisfy his passion for music with humility and dignity, supporting groups such as “Angels”, which had replicated the “Ngola Ritmos” in the movie “Sambizanga” Sarah Maldoror. In an almost coincides with the history of Angola, the musician died in Brazzaville 10 November 2006. Just fate, the Congolese government will recognize, correctly, his professional, artistic, activist and internationalist. Buried in his village, near the Congolese capital, Claude Bivoua deserves the recognition of the angolan state. Copyright © 2009 Le Potentiel.
your post Moos is a mark of tribute to the artist , for the memory of his action in the independence , thx Moos for all your action in that blog for the musical history …..
Having left the “Hill Inspired”, the journalist will continue to satisfy his passion for music with humility and dignity, supporting groups such as “Angels”, which had replicated the “Ngola Ritmos” in the movie “Sambizanga” Sarah Maldoror. In an almost coincides with the history of Angola, the musician died in Brazzaville 10 November 2006. Just fate, the Congolese government will recognize, correctly, his professional, artistic, activist and internationalist. Buried in his village, near the Congolese capital, Claude Bivoua deserves the recognition of the angolan state. Copyright © 2009 Le Potentiel.
your post Moos is a mark of tribute to the artist , for the memory of his action in the independence , thx Moos for all your action in that blog for the musical history …..
I’m another who doesn’t leave enough comments. You really are the teacher Moos while I sit at your feet learning & not being able to believe how great the music is.
J
I’m another who doesn’t leave enough comments. You really are the teacher Moos while I sit at your feet learning & not being able to believe how great the music is.
J
I’m another who doesn’t leave enough comments. You really are the teacher Moos while I sit at your feet learning & not being able to believe how great the music is.
J
Hee Moos, Thanks again voor al die mooie muziek en de moeite om het allemaal zo voor elkaar te krijgen.Wij houden zelf ook een blog bij (www.beyondmarrakech.blogspot.com ) dus ik weet wat voor een gedoe het soms is. Ik wil je alleen wel even dit melden, dat elke keer, dat ik me de laatste tijd aanmeld, op jou blogspot een vreselijke roode melding van mn antivirus (eset NOD 32)krijg dat er een adres (melodiasdecolombia) wordt geblokkeerd. altijd heel vervelend die roode meldingen. ben er een beetje bang van altijd. ik heb lang nagedacht en heb besloten je het toch maar even te zeggen. Verder heel veel succes met je blog en ik hoop je graag een keer tegen te komen in NL als je ergens een keer draait. Groetjes Erik.
Hee Moos, Thanks again voor al die mooie muziek en de moeite om het allemaal zo voor elkaar te krijgen.Wij houden zelf ook een blog bij (www.beyondmarrakech.blogspot.com ) dus ik weet wat voor een gedoe het soms is. Ik wil je alleen wel even dit melden, dat elke keer, dat ik me de laatste tijd aanmeld, op jou blogspot een vreselijke roode melding van mn antivirus (eset NOD 32)krijg dat er een adres (melodiasdecolombia) wordt geblokkeerd. altijd heel vervelend die roode meldingen. ben er een beetje bang van altijd. ik heb lang nagedacht en heb besloten je het toch maar even te zeggen. Verder heel veel succes met je blog en ik hoop je graag een keer tegen te komen in NL als je ergens een keer draait. Groetjes Erik.
Hee Moos, Thanks again voor al die mooie muziek en de moeite om het allemaal zo voor elkaar te krijgen.Wij houden zelf ook een blog bij (www.beyondmarrakech.blogspot.com ) dus ik weet wat voor een gedoe het soms is. Ik wil je alleen wel even dit melden, dat elke keer, dat ik me de laatste tijd aanmeld, op jou blogspot een vreselijke roode melding van mn antivirus (eset NOD 32)krijg dat er een adres (melodiasdecolombia) wordt geblokkeerd. altijd heel vervelend die roode meldingen. ben er een beetje bang van altijd. ik heb lang nagedacht en heb besloten je het toch maar even te zeggen. Verder heel veel succes met je blog en ik hoop je graag een keer tegen te komen in NL als je ergens een keer draait. Groetjes Erik.
Hi, I don’t comment and thank as often as I should, but thank you thank you.
Maybe because I hope to wait and add something of value to conversation – often I don’t have anything further to add. On this one however I see the name of Samba Mascott of les bantous as the composer. Though i don’t know of such a label the name suggests these were singles on the label “edition samay”
Hi, I don’t comment and thank as often as I should, but thank you thank you.
Maybe because I hope to wait and add something of value to conversation – often I don’t have anything further to add. On this one however I see the name of Samba Mascott of les bantous as the composer. Though i don’t know of such a label the name suggests these were singles on the label “edition samay”
Hi, I don’t comment and thank as often as I should, but thank you thank you.
Maybe because I hope to wait and add something of value to conversation – often I don’t have anything further to add. On this one however I see the name of Samba Mascott of les bantous as the composer. Though i don’t know of such a label the name suggests these were singles on the label “edition samay”
Thank you for the music and for the time and effort that you invest in the blog.
I’ve discovered your blog almost a year ago and since then, I am a regular visitor. Your blog has opened a lot of new music for me. This is my first comment.
Thank you for the music and for the time and effort that you invest in the blog.
I’ve discovered your blog almost a year ago and since then, I am a regular visitor. Your blog has opened a lot of new music for me. This is my first comment.
Thank you for the music and for the time and effort that you invest in the blog.
I’ve discovered your blog almost a year ago and since then, I am a regular visitor. Your blog has opened a lot of new music for me. This is my first comment.
Moos, like Zim I don’t speak unless I have something to say. I do not say thank you enough, though. I have have listened here to many things I’ve never heard and have access here to useful digitized files of albums I own but have been unable to digitize for myself or to share on radio.
Moos, like Zim I don’t speak unless I have something to say. I do not say thank you enough, though. I have have listened here to many things I’ve never heard and have access here to useful digitized files of albums I own but have been unable to digitize for myself or to share on radio.
Moos, like Zim I don’t speak unless I have something to say. I do not say thank you enough, though. I have have listened here to many things I’ve never heard and have access here to useful digitized files of albums I own but have been unable to digitize for myself or to share on radio.
..you know it’s not for the thank you’s, but I’m happy to see so many satisfied listeners. I myself am not the most social type and we do not have real discussions here. It’s just.., comments are like fuel in my engine, it keeps me motivated to do what I must, spread the good stuff.
Pass it on..
..you know it’s not for the thank you’s, but I’m happy to see so many satisfied listeners. I myself am not the most social type and we do not have real discussions here. It’s just.., comments are like fuel in my engine, it keeps me motivated to do what I must, spread the good stuff.
Pass it on..
..you know it’s not for the thank you’s, but I’m happy to see so many satisfied listeners. I myself am not the most social type and we do not have real discussions here. It’s just.., comments are like fuel in my engine, it keeps me motivated to do what I must, spread the good stuff.
Pass it on..
The site is excellent. A malian friend i showed some downloads i made here just couldn´t belive it: these are records you can´t find for sale anymore, anywhere in africa, he commented. He also said that he was happy for me, since i was surely going to make a lot of money out of the downloaded files, a reasoning wich is, as you’ll easily realize, pure african street market logic.
Thanks for your posts.
The site is excellent. A malian friend i showed some downloads i made here just couldn´t belive it: these are records you can´t find for sale anymore, anywhere in africa, he commented. He also said that he was happy for me, since i was surely going to make a lot of money out of the downloaded files, a reasoning wich is, as you’ll easily realize, pure african street market logic.
Thanks for your posts.
The site is excellent. A malian friend i showed some downloads i made here just couldn´t belive it: these are records you can´t find for sale anymore, anywhere in africa, he commented. He also said that he was happy for me, since i was surely going to make a lot of money out of the downloaded files, a reasoning wich is, as you’ll easily realize, pure african street market logic.
Thanks for your posts.
Moos, you are a great man now in the realm of African popular music, and your blog is an incredible resource for all of us. We all owe you far more than we could ever repay….
Moos, you are a great man now in the realm of African popular music, and your blog is an incredible resource for all of us. We all owe you far more than we could ever repay….
Moos, you are a great man now in the realm of African popular music, and your blog is an incredible resource for all of us. We all owe you far more than we could ever repay….
I’m also amongst the ones that should comment more than I do. I have downloaded all the Congolese music you have shared with us. You have given me so much that I cannot thank you enough. I also think that I need to come with some smart info for me to comment. But that should not be the case.
Best Regards
LeFranck
I’m also amongst the ones that should comment more than I do. I have downloaded all the Congolese music you have shared with us. You have given me so much that I cannot thank you enough. I also think that I need to come with some smart info for me to comment. But that should not be the case.
Best Regards
LeFranck
I’m also amongst the ones that should comment more than I do. I have downloaded all the Congolese music you have shared with us. You have given me so much that I cannot thank you enough. I also think that I need to come with some smart info for me to comment. But that should not be the case.
Best Regards
LeFranck
Now I got a little information :-)
The track list in your post is correct, but not the actually rip.
This is for those who need the correct track list.
The rip got 8 tracks but numbered up to 9 showing one missing track. That is not the case. All the tracks are there but tracks “Loposo” and “Madja” need correct track numbers.
LeFranck
Now I got a little information :-)
The track list in your post is correct, but not the actually rip.
This is for those who need the correct track list.
The rip got 8 tracks but numbered up to 9 showing one missing track. That is not the case. All the tracks are there but tracks “Loposo” and “Madja” need correct track numbers.
LeFranck
Now I got a little information :-)
The track list in your post is correct, but not the actually rip.
This is for those who need the correct track list.
The rip got 8 tracks but numbered up to 9 showing one missing track. That is not the case. All the tracks are there but tracks “Loposo” and “Madja” need correct track numbers.
LeFranck
many thanks, as always. Very much appreciated.
many thanks, as always. Very much appreciated.
many thanks, as always. Very much appreciated.
Thanks, Moos, for this very important post. Like usual, it has set me off learning more and seeking more, and more often than not, I find it on your site.
best,
robert
Thanks, Moos, for this very important post. Like usual, it has set me off learning more and seeking more, and more often than not, I find it on your site.
best,
robert
Thanks, Moos, for this very important post. Like usual, it has set me off learning more and seeking more, and more often than not, I find it on your site.
best,
robert
I second gypsykat’s comments.
Your blog is treasure trove of musical gems. And I love your compilations too!
Thanks for your great work,
-J
I second gypsykat’s comments.
Your blog is treasure trove of musical gems. And I love your compilations too!
Thanks for your great work,
-J
I second gypsykat’s comments.
Your blog is treasure trove of musical gems. And I love your compilations too!
Thanks for your great work,
-J
Thank you for sharing. Much appreciated.
Thank you for sharing. Much appreciated.
Thank you for sharing. Much appreciated.
Everything you post is is really appreciated Moos. As you say, it is a wonderful thing to share so much great music which otherwise would just languish in obscurity. Fellows like you are the unofficial curators of some of the world’s most precious and beautiful music.
Everything you post is is really appreciated Moos. As you say, it is a wonderful thing to share so much great music which otherwise would just languish in obscurity. Fellows like you are the unofficial curators of some of the world’s most precious and beautiful music.
Everything you post is is really appreciated Moos. As you say, it is a wonderful thing to share so much great music which otherwise would just languish in obscurity. Fellows like you are the unofficial curators of some of the world’s most precious and beautiful music.
thnx for all the effort and L.O.V.E. for the globalmusix…….
thnx for all the effort and L.O.V.E. for the globalmusix…….
thnx for all the effort and L.O.V.E. for the globalmusix…….
For those who are looking for that groove to take you to african sunsets and beyond, this album gets better and better with each play. Check “Madja”. Amazing song. Thank you for posting Moos!
For those who are looking for that groove to take you to african sunsets and beyond, this album gets better and better with each play. Check “Madja”. Amazing song. Thank you for posting Moos!
For those who are looking for that groove to take you to african sunsets and beyond, this album gets better and better with each play. Check “Madja”. Amazing song. Thank you for posting Moos!
Still behind the main party. Moos, thanks!
Still behind the main party. Moos, thanks!
Still behind the main party. Moos, thanks!
[…] we had him passing by here in august 2011. He was on that album called ‘les Grands Succes des Editions Samay’. It gained many happy listeners I remember. Today Samba Mascott is here with an album of his own, […]